August 4

statue of a victorious youth formal analysisstatue of a victorious youth formal analysis

Forgery (4) formal analysis (16) gender (13) . 60), both of which closely parallel the Getty statues pose. The statue's right hand touches an olive wreath on his head, an attribute most readily connected with the victor's crown awarded in the Olympic games. [3] A possible reconstruction to the Getty Bronze is that the statue could have held a palm frond as these were gifts given to the victors. Statue of a Victorious Youth. did mallory and nick get married on family ties . Multiple interpretations of where the Youth was made and who the Youth is, are expressed in scholarly books by Jiri Frel, Paul Getty Museum curator, from 1973 to 1986, and Carol Mattusch, Professor of Art History at George Mason University specializing in Greek and Roman art with a focus in classical bronzes. Culture minister Alberto Bonisoli urged US authorities to act quickly on the countrys behalf to favour the restitution of the Lysippos to Italy. On that occasion Hoving received approval from Getty to negotiate a 3.5 million dollar asking price with Herzer and Artemis, with a tentative agreement being made between the two men that the bronze would be shared between the Metropolitan Museum of Art and the J. Paul Getty Museum in exchange for the Met providing a long term loan to the J. Paul Getty Museum of its 17 Boscotrecase frescoes. statue of a victorious youth formal analysis (34) 99141-5577 statue of a victorious youth formal analysis Av. [11], Many statues from Greek cities and sanctuaries moved into Roman possession by the second century B.C. In 1972 Heinz Herzer and Volker Kinnius, Munich gallery owner, wrote a report on the conservation project of Rudolph Stapp. In the attorneys opinion on the question of the Greek bronze the two Italians affirmed that the statue had been purchased by one of their clients (tablissement pour la Diffusion et la Connaissance des Oeuvres dArt DC) in Brazil by a group of Italian sellers on 9 June 1971. Dismissed by the Lower Court in 2007, the decision was appealed by the Public Prosecutor with the support of Italys Avvocatura dello Stato, and on 12 June 2009 the new magistrate Lorena Mussoni, preliminary investigation judge at the Tribunal of Pesaro ordered the forfeiture of the statue on the basis of the fact that the object had been exported out of the Italian territory in contravention of Italian laws. Views 883. Italian: Vorremmo fare il punto sul rapporto con il Paul Getty Museum perch ci sono state alcune incomprensioni, mentre vorremmo che fosse molto chiara la nostra posizione: infatti, esiste una serie di provvedimenti giudiziari che hanno i loro corsi e, mentre la magistratura svolge i propri accertamenti, vorremmo trovare una soluzione di buona volont con il Getty. Over the past week, many news organizations have been writing about a reverse decision by the Court of Cassation in Italy that the statue of the Victorious Youth owned by the Getty for more than 40 years is part of Italys cultural heritage. The ship carrying it may have foundered, which preserved the statue for centuries in the sea. Amenhotep II (sometimes read as Amenophis II and meaning Amun is Satisfied) was the seventh Pharaoh of the 18th dynasty of Egypt. how to become a sheriff deputy in montana; whatever happened to dixie armstrong; thank you email after interview software engineer; modahum erde preise; huntsville havoc staff. statue of a victorious youth formal analysis. Romans probably carried the statue off from its original location during the first century B.C. It was in Italian territory only for a fleeting period of time, and only in modern times. Also, if Italys fundamental position is that an object becomes part of a countrys patrimony by its mere presence in the country, Victorious Youths 40-plus years in Los Angeles presumably give California a superior claim. Ive been Gettys Vice President of Communications since fall 2018. Perhaps a copy of a bronze statue of c. 20 BCE. Show all. The museum argued that the statue was discovered in international waters and pointed out that it was acquired by the museum nine years after Italys top court concluded there was no evidence that the statue belonged to Italy. Vast collections of the antique style flourished, various statuary were looted and repurposed for Roman decoration. None of the documentation I have been able to review has specified whether or not the aforementioned distances, given by the fishermen aboard the Ferruccio Ferri, and in one instance drawn from a notebook submitted as evidence in which Romeo Pirani drew a map of the find spot, is it known if these distances were made utilizing instrumental or mathematical calculation. It is interesting to note that the lawyers also clarified that the acquittal had been determined by the lack of ascertaining both, the place of the statues discovery, and the uncertainty about the nature of the goods archaeological or historical interest to the state. Jiri Frel in 1982 examines the statue associated with Alexander the Great, based on reviewing the whole figure the stance to features doesn't represent a well bred citizen but higher in class. In this letter Hoving stated: As I made clear in our conversations, (that you had previously heard by telephone) the conclusion of this purchase by Mr. Getty is subject to examination and approval of the Council of the Metropolitan Museum and of Mr. Gettys Legal Advisor, in relation to certain legal issues that may require qualifications or certifications . The museum purchased "Statue of a Victorious Youth," a bronze piece of art dated to 300-100 B.C., for nearly $4 million in 1977. In February 2014 Italys highest court elected not to issue any ruling upholding or rejecting the lower courts judgment that the Victorious Youth was illicitly exported from Italy and as such, is subject to seizure. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more, http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=8912. Squashing the decision made by the Court of Pesaro on May 5, 2012, the Terzo sezione penale della Suprema Corte (Third Criminal Chamber of the Supreme Court) on June 4, 2014 remanded the case back to the Tribunal in Pesaro for a new opposition procedure, granting the Gettys request for the case to be heard in open court. [20] Rudolph Stapp was the main conservationist working with the Victorious Youth, who was known for his specialty in ancient bronzes. But the museum has refused to surrender the relic, saying it would appeal against the decision. By incriminating himself, his estimate could at least be considered reasonably honest. By December 1, 2021 where was you're so vain video filmed December 1, 2021 where was you're so vain video filmed Analysis (any type) Writer's choice. According to literature, the bronze statue found at the Getty Villa is renowned by lovers of art from all around the world (Mattusch 1). Bir baka sitesi. This statue shows an athlete tying a ribbon around his head, signifying that he has just won a competition. During this process wax plates supported the figure from multiple points holding the statue vertically. Emancipation: The fact or process of being set free from legal, social, or political restrictions; liberation. The NSPA also allows foreign countries cultural patrimony legislation to be effectively enforced, within very specific circumstances, within U.S. territory by U.S. courts. rdr2 kieran fishing mission disappeared; reggie lewis son basketball. Revenue $3.4m Assets $4.4m Employees 40 EIN 51-0140976 IRS type 501 (c) (3) Project Six. Any finding of an [] Read More. It also diminishes the stature of the museum in the eyes of scholars and the knowledgeable public as an ethical collecting institution. In 1974, a prosecutor in Gubbio, Italy, sought an investigation of Herzer in connection with the statue. This process repeats itself twice and is finalized with one last artificial humidity test to check if the bronze disease resurfaces. Putting its own public pressure on the J. Paul Getty Museum, on April 4, 2007, the cultural association Le Cento Citta presented a complaint via the Public Prosecutor at the Tribunal of Pesaro for violation of customs regulations and for smuggling in relation to the theft of the bronze. *Tribunale Ordinario di Pesaro, Criminal Section, Ufficio del Giudice per le indagini preliminary in funzione di Giudice dellesecuzione, Ordinanza del 12 puo 2009, n.2042/07 R.G.N.R. These comparanda attest to a late Classical Greek sculptural type, the autostephanoumenos, used for centuries to represent athletic victors in a stereotypical, non-individualized manner. statue of a victorious youth formal analysischronicles of kerrigan book 13. statue of a victorious youth formal analysis. Athanadoros, Hagesandros, and Polydoros of Rhodes, Nemrut Da (tomb of King Antiochus I Theos), Golden lunula and two gold discs (Coggalbeg hoard), The Regolini-Galassi tomb and the Parade Fibula, Temple of Minerva and the sculpture of Apollo (Veii), City of Rome overvieworigins to the archaic period, Roman funeral rituals and social status: The Amiternum tomb and the tomb of the Haterii, The Modern Invention of Ancient White Marble, An introduction to ancient Roman architecture, The archaeological context of the Roman Forum (Forum Romanum), Seizure of Looted Antiquities Illuminates What Museums Want Hidden, Looting, collecting, and exhibiting: the Bubon bronzes, The rediscovery of Pompeii and the other cities of Vesuvius, Room M of the Villa of Publius Fannius Synistor, Boscoreale, Tomb of the Scipios and the sarcophagus of Scipio Barbatus, Bronze head from a statue of the Emperor Hadrian, Romes layered history the Castel SantAngelo, The Severan Tondo: Damnatio memoriae in ancient Rome. Photo by Gabriel Bouys/AFP/Getty Images. The statue was acquired in 1971 by a consortium called Artemis S.A., a publicly traded fund specializing in art works. List of Essays on Success in English Short Essay on Success - Essay 1 (100 Words) Success is much more than riches, power or fame. It was in Hertzers studio in Munich on December 13, 1972 that the bronze was first examined, by Dr. Thomas Hoving, then director of the Metropolitan Museum of Art in New York. In an interview to the Italian national newspaper Corriere della Sera on December 20, 2006 the Italian Minister of Cultural Heritage declared that Italy would place the museum under a cultural embargo if all the 52 disputed pieces would not return home overseas. Mateo Lodge is a group home, residential treatment facility-mental health related in Redwood City, CA, which was founded in 1975 and most recently had $3,368,130 in revenue and 40 employees. write a rational function with the given asymptotes calculator. He holds his left arm down at his side; the elbow is cocked to hold a missing attribute in the partially opened left hand. [13] By understanding the specific wreaths worn by the winners, one could hypothesize which temple the statue would have housed. 42 of 2004 and article 301 of Presidential Decree n. 15 of 1972. Prior to the aforementioned signed accord then Minister of Culture Francesco Rutelli stated the following. In 1967 Luigi Salerno was appointed to be the director of the Fondazione della Calcografia Nazionale. On June 08, 2018, in a long-awaited judicial decision, four full months after the Pesaro open court hearings had concluded, Italys Court of First Instance, the Tribunale di Pesaro issued a lengthy 46-page ordinance, written and signed by Magistrate Giacomo Gasparini firmly rejecting the Getty museums opposition to Italys order of confiscation on the grounds of Articles 666, 667, and 676 of the Italian Criminal Code, article 174 section three of the Legislative Decree no. Poem and film by Gabriele Tinti Read by Robert Davi Statue of a Victorious Youth (The Getty Bronze), 300 -100 B.C., Greek. On August 1, 2007 an agreement was announced providing that the museum would return 40 pieces to Italy out of the 52 requested, among which the Venus of Morgantina, which was returned in 2010, but not the Victorious Youth, whose outcome will depend upon the results of the criminal proceedings pending in Italy. Any claim against the Getty - or anyone elsewould be long since time-barred. st vincent's women's and children's center birmingham, al address; hurlburt field down days; vw electric commercial actors; Hello world! o a statement by Luigi Salerno, the senior Italian official in charge of export licenses for cultural property, that Italy would not pursue a claim to the object. . The Supreme Court of Cassation has not yet published its explanatory statement of its decision. Mattuschs treatment of ancient sculptural collecting focuses on Cicero and what we know of his motives, tastes, and methods from his 68-67 B.C.E. Ancient literature gives testimony of the classical sculptors; however, the artist did not sign the statues. The sculpture was found in the summer of 1964 in the sea off Fano on the Adriatic coast of Italy, snagged in the nets of an Italian fishing trawler, the Ferri Ferruccio. Thus, even if any of these conventions applied to this case, none of them would compel the seizure of the statue. The fact that almost none of the famous bronzes mentioned by the sources has left any archaeological trace effectively demonstrates the importance of chance finds such as the Gettys Victorious Youth. Just another site The section entitled Collaborators: Artist and Craftsman (62-77) presents the fruits of 20 years of technical analysis of the Victorious Youth conducted by Getty scientists together with an overview of Mattuschs work on bronze casting techniques. The victors received wreaths of different leaves depending on the site location; laurel at Delphi, olive at Olympia, pine at Isthmia, and wild celery at Nemea. Moreover, the statue is not and has never been part of Italys cultural heritage. His painting is a great example of solid Greek art in subject and aesthetic. Analysis Of The Book ' Of Cannibals ' 1008 Words | 5 Pages. On November 3, 1973 Herzer wrote to Jiri Frel, curator of antiquities at the J.Paul Getty Museum from 1973 until 1984, to announce the failure of the negotiations to achieve an agreeable selling price among all parties for the joint acquisition of the statue between the J. Paul Getty Museum and the Metropolitan Museum. Initial talks began via a phone call between Hoving and Getty, regarding a possible joint ownership scheme between the J. Paul Getty Museum and the Metropolitan Museum of Art, funded primarily by John Paul Getty. It was created sometime between the 4 th and 2 nd Century B.C. " But the Greeks expansion did not stop there. Claim Your Free eBook Now. Startseite > Uncategorized > statue of a victorious youth analysis. This and the previous sections read well because the detailed references geared toward specialist readers are pushed to long endnotes; my only quibble about this particular section is that its content recalls an article not included in either the endnotes or the selected bibliography [Miranda Marvin, Copying in Roman Sculpture: The Replica Series in Retaining the Original: Multiple Originals, Copies, and Reproductions (Studies in the History of Art 20, Washington DC 1989) 29-45]. Statue of a Victorious Youth (Greek), 300-100 B.C.E., bronze with inlaid copper, 151.5 x 70 x 27.9 cm (Getty Villa Museum) [21], The Bronze was originally owned in 1971, by the Artemis Consortium, an association of several international art dealers, and then stored with a Munich art dealer, Heinz Herzer. [n 1][17] Italian art dealers paid the fishermen $5,600 USD for it. or A.D., when Roman collecting of Greek art was at its height. Even ignoring statutory limitation periods, the Getty is entitled, after 40 years of exhibition and study, to rely on its settled property rights in the statue. The fact that not all of the publics questions are silly has led Mattusch to forsake some of the material we find in the earlier monograph (chronology, extensive comparanda, and attribution to the big name sculptor Lysippos) in favor of an exploration of where the Getty statue came from, why and how he was made, and who he might be. [24] True is currently under investigation by Greek authorities over the acquisition of a 2,500-year-old funerary wreath. The clearest indications that the statues left arm originally held a victors palm branch come from a Roman wall painting (fig. Mattusch enumerates the uses to which such statues were originally put using ancient literary sources as her guide. statue of a victorious youth formal analysis. statue of a victorious youth formal analysis. . ', '$.027', '$.03', '$.054/mbf', '$.07', '$.07/cwt', '$.076', '$.09', '$.10-a-minute', '$.105', '$.12', '$.30', '$.30/mbf', '$.50', '$.65', '$.75 . In 1973, at the request of Italian officials, German police investigated Herzer about receipt of stolen goods in connection with the statue. The African Human Rights Law Journal (AHRLJ) is a peer-reviewed journal on human rights related topics in Africa. At no point did the Pesaro court even consider any new or competent evidence as to whether the statue had Italian origins or had been found in Italian waters. 104 Victorious Youth Statue Photos and Premium High Res Pictures - Getty Images Editorial Editorial FILTERS CREATIVE EDITORIAL VIDEO 104 Victorious Youth Statue Premium High Res Photos Browse 104 victorious youth statue stock photos and images available, or start a new search to explore more stock photos and images. [5], Evidence of polychrome survives; the nipples and lips are copper. rockport ma police log. This color choice may have interacted with the golden yellow of the bronze surface. The reason for the ministrys failure to join any of the Italian legal proceedings related to the bronze in the 1960s stems simply from the fact that the ministry did not yet exist as it was not until 1974 that it was formally established. The captain of the vessel was Romeo Pirani, the owner of the vessel was Guido Ferri. After being smuggled out of Italy, the bronze crisscrossing its way through several countries including England and Brazil only to reappear again in documentation in the form of a document signed on June 9, 1971 where tablissement-Artemis is reported to have purchased the ancient statue from vendors in Brazil for $700,000. In 2006, the Italian Culture Ministry submitted a dossier to the Getty asking for the Getty to surrender the Bronze to the Italian state. To read all of ARCAs posts on the Getty case, follow our link here. 03 Jun. statue of a victorious youth formal analysiswhat core aesthetic are you uquizwhat core aesthetic are you uquiz audience, formal or marriage ceremony. Fig. cow and gate hungry baby milk ready made; aremu afolayan mother; tt active digital marketing services pacita A humid environment under 35% is necessary to keep the statue from deteriorating. While we can hypothesize that the Romans likely carried lAtleta Vittorioso off from one location in the attempt to bring it to another location, sometime during the first century BCE or CE, there is no absolute proof with which to consolidate the hypothesis. Sometime thereafter it was shifted again, though to an unknown location. statue of a victorious youth analysis. Greek, 300-100 statuettes.24 Greek portrait statuary b.c.e., bronze with inlaid copper. statue of a victorious youth formal analysis. The date of this statement, and who it was made to, and in what, if any, official capacity has not been clarified in the Getty Museums timeline. Now much debate and research is specific to anatomy, its date and authorship; but with the uncertainties of stylistic assessments its difficult to reach a consensus. Interestingly, both Giacomo Barbetti and Giovanni Nagni both confirmed during court proceedings that they had purchased the bronze sculpture (in contravention of existing law) and sold the antiquity (in contravention of existing law) to an unnamed individual in Milan. (It.). where a new hearing was scheduled to establish whether or not the order of confiscation issued by the Court of Pesaro on May 3, 2012 should be affirmed. We were thus greatly surprised in early November when the Italian Ministry disavowed our agreement. The huge, roaring monster with multiple heads, taller than two houses, able to snap up a horse and rider in a single bite, did not faze him. It is unfortunate that this issue has been a distraction from that important work. While other lyric genres are tied to ritual occasions, dithyrambos appears to have been more exible. I 2 THE KOUROS TYPE, Worried youth will think athletics = art because promises strength of the human body & reputation All natural blessings come mentally or physically Athletes use up body therefore wont make old age "excess is the enemy of nature" Athletics has no use in real business of life if Zeus held games for animals/humans, the animals would win everytime. But rest assured, we will continue to assert our right to keep the Victorious Youth in its home at the Villa, where it is on display and in our care. The premise took its complete form in the 1934 bestseller, The Merchants of Death. In a letter sent by Getty himself to Herzer on August 31, 1972, the billionaire asks the German dealer for documents related to the earlier Italian trials on the 4 accomplices. Similarly, the Getty Research Institute (GRI) has, since 1991, lent 70 prints, drawings, manuscripts, and rare books to exhibitions in Italy. Evidence presented by the Italian state at the Tribunal in Pesaro in February 2010 related that John Paul Getty was therefore fully aware of the criminal proceeding which had been brought by the Italian AG against the accomplices involved in the smuggling of the bronze. Last Hurricane To Hit Destin Fl , Statue Of A Victorious Youth Formal Analysis , Poems About The American Dream Dying , Registering A . Sections entitled Statues for Civic Pride (23-35) and Statues for Victors (36-51) establish contexts for the production of large-scale bronze statues in the Greco-Roman world. The fisherman brought it ashore and sold to Italian buyers. In Full Color, Ancient Sculpture Reimagined, Ancient Near East: Cradle of civilization, Capital of a column from the audience hall of the palace of Darius I, Susa, Persepolis: The Audience Hall of Darius and Xerxes, Petra: The rose red city of the Nabataeans, Ancient Egyptian chronology and historical framework, Materials and techniques in ancient Egyptian art, Introduction to Ancient Egyptian Mortuary Texts, Creation myths and form(s) of the gods in ancient Egypt, Egyptian Social Organizationfrom the Pharaoh to the farmer(Part 1), Egyptian Social Organizationfrom the Pharaoh to the farmer (Part 2), Predynastic, Early Dynastic, and Old Kingdom, Predynastic and Early Dynastic, an introduction, Old Kingdom and First Intermediate Period, an introduction, Middle Kingdom and Second Intermediate Period, Middle Kingdom and Second Intermediate Period, an introduction, Statue of an Offering Bearer, Tomb of Meketre, New Kingdom and Third Intermediate Period, New Kingdom and Third Intermediate Period, an introduction, Temple of Amun-Re and the Hypostyle Hall, Karnak, Paintings from the Tomb-chapel of Nebamun, Tutankhamuns tomb (innermost coffin and death mask), Canopic Jar with a Lid in the Shape of a Royal Womans Head, Barry X Ball on an Egyptian fragment of a queens face, Late Period and the Ptolemaic and Roman Periods, an introduction, Meet an Ushabti, an Ancient Egyptian Statuette Made for the Afterlife, Ancient Nubia and the Kingdom of Kush, an introduction, King Piye and the Kushite control of Egypt, Restoration versus conservation: the Palace at Knossos, Introduction to ancient Greek architecture, Classic, classical, and classicism explained, Ancient Greek vase production and the black-figure technique, Commemorating the Dead in Greek Geometric Art, Sophilos: a new direction in Greek pottery, Tiny timeline: Archaic Greece in a global context, Pediments from the Temple of Aphaia, Aegina, The Athenian Agora and the experiment in democracy, Egyptian blue on the Parthenon sculptures, Caryatid and Ionic Column from the Erechtheion, Temple of Athena Nike on the Athenian Acropolis, How an ancient Greek bronze ended up in the Vatican. as told in the testimonies given by Romeo Pirani and Guido Ferri in December 1977 to the Italian Carabinieri. Found in the sea by fishermen in international waters in 1964, this statues origin is unknown, but either Olympia or the youths hometown is possible. The striking statue is of a naked youth, standing with his weight on his right leg, crowning himself with a wreath, probably olive. June 10, 2022 . This beautifully presented paperback constitutes the first volume in this series to treat an ancient work of art, but Mattusch must intend to contrast her study not with the rest of this series, but with the 1978 Getty publication on the very same statue [Jiri Frel, The Getty Bronze ]. In the course of these sections, Mattusch introduces in a lively and painless manner some of the major concepts governing the study of Greek and Roman sculpture by Classical archaeologists, including her own work on the serial production of bronze originals from reusable clay molds over the centuries fully developed in Classical Bronzes [Ithaca, NY 1996]. The journal publishes articles on the work of African regional and sub-regional human rights bodies as well as the work of international bodies related to Africa. The order for the statues seizure was made on the grounds of Articles 666, 667, and 676 of the Italian Criminal Code, and article 174 section three of Legislative Decree no. LACMA's collections encompass the geographic world and virtually the entire history of art with more than 100,000 objects dating from ancient times to the present. Also known as the Getty bronze, the statue was made by Greek sculptor Lysippos between 300 and 100 BC. The Getty Museum legally purchased the Bronze in 1977 in the United Kingdom, after extensive review of the relevant facts and law over the course of many years, including: The statue was legally exported from the United Kingdom, where the 1977 purchase took place, and legally imported into the United States, where it went on view at the Getty Museum in 1978. At the very least, assigning a post-Classical date to the Getty statue makes an identification as a Hellenistic royal portrait possible. The most original (and enjoyable) part of Mattuschs study may be the section near the end entitled The Publics Questions (82-83), in which remarks made by undergraduate students and surreptitiously observed Getty Museum visitors are reported. Italys Ministero per i Beni Culturali e Ambientali (ENGLISH: The Ministry for Cultural and Environmental Heritage) has gone through several name changes through differing elected Italian governments. 5 Public art navboxes, lists and articles by location. In doing so, they convicted Barbetti and his relatives for receiving stolen goods. As the wax melted, an air space formed, creating a mold of the Victorious Youth, which became filled with molten bronze. 7 Similar projects that don't use Wikipedia. In addition to conflicting with the Third United Nations Law of the Sea Convention, adopted in 1982, this theory would lead to the absurd result that if an Australian fishing boat had found the Bronze, it would become Australian cultural property. Negotiations between the Getty and Italy, however, have been more complicated. After years of criminal proceedings in the late 1960s, several Italians who had purchased the statue from the fishermen were acquitted of purchasing and concealing stolen property. statue of a victorious youth analysis. The statue is of ancient Greek origin, was found in international waters in 1964, and was purchased by the Getty Museum in 1977, years after Italy's highest court, the Court of Cassation, concluded in 1968 there was no evidence that the statue belonged to Italy. The origin of the statue is unknown, but either Olympia or the youth's hometown is possible. On display at The J. Paul Getty Forgery (4) formal analysis (16) gender (13) . The Victorious Youth, Getty Bronze, also known as Atleta di Fano, or Lisippo di Fano is a Greek bronze sculpture, made between 300 and 100 BC,[1] in the collections of the J. Paul Getty Museum, Pacific Palisades, California.

Mobile Homes For Rent In Meridian Idaho, Used Cars For Sale In Akron, Ohio Under $2,000, Articles S


Tags


statue of a victorious youth formal analysisYou may also like

statue of a victorious youth formal analysischicago tribune audience demographics

jean christensen andre the giant wife
{"email":"Email address invalid","url":"Website address invalid","required":"Required field missing"}

statue of a victorious youth formal analysis