This is partially dictated by Hollywood's elite. In between playing femmes fatales, she had a popular hit in the 1944 melodrama A Lady Surrenders (1944) as a brilliant but fatally ill pianist and was sympathetic enough as a young girl who is possessed by a ghost in A Place of One's Own (1945). ", The Times (17/Jul/1990) - Obituary: Margaret Lockwood, http://the.hitchcock.zone/w/index.php?title=The_Times_(17/Jul/1990)_-_Obituary:_Margaret_Lockwood&oldid=145800. She enjoyed a steady flow of work in films and on television but gained her greatest fulfilment in the theatre. Margaret Lockwood, an actress who became one of the most popular figures in British films of the late 1940's, died on Sunday. When the author Hilton Tims, was preparing his recent biography, "Once a Wicked Lady", a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, "Give her these from me. Cindy Crawford, for example, is notorious for her iconic "blemish." Quiet Wedding (1941) was a comedy directed by Anthony Asquith. [54] She lived her final years in seclusion in Kingston upon Thames, dying on 15 July 1990 at the Cromwell Hospital, Kensington, London, from cirrhosis of the liver, aged 73. Rank was to put her in an adaptation of Ann Veronica by H. G. Wells but the film was postponed. In spite of this, she was warmly remembered by the public. Grow your brand authentically by sharing brand content with the internets creators. [5][6][7] This was at 4,000 a year.[8]. She returned with relief to Britain to star in two of Carol Reed's best films, "The Stars Look Down", again with Redgrave, and "Night Train to Munich", opposite Rex Harrison. Even more popular was her next movie, The Lady Vanishes, directed by Alfred Hitchcock, produced by Black and co-starring Michael Redgrave. Based on the novel by Sir Osbert Sitwell, brother of renowned author Dame Edith Louisa Sitwell, A Place of One's Own (1945) is an atmospheric ghost story set in the Edwardian era that marked the directorial debut of Bernard Knowles and reunited the stars of The Man in Grey (1943) James Mason and Margaret Lockwood. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. Those with beauty marks in the 1800s would've likely felt anything but beautiful during a time when skin whitening recipes promising to "take away" freckles and moles were abundant. CURRENT NEEDS: Part time 1-2 days a week 9 AM-3 PM. A year later, she played another fairy, for 30 shillings a week, in Babes in the Wood at the Scala Theatre. In 1965, she co-starred with her daughter, Julia, in a popular television series, "The Flying Swan", and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wilde's "An Ideal Husband". The turning point in her career came in 1943, when she was cast opposite James Mason in The Man in Grey, as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. [17][18], Lockwood returned to Britain in June 1939. Stage career She travelled to Los Angeles and was put to work supporting Shirley Temple in Susannah of the Mounties (1939), set in Canada, opposite Randolph Scott. The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916. [49], She then appeared in a thriller, Cast a Dark Shadow (1955) with Dirk Bogarde for director Lewis Gilbert. - makes her the epitome of the British noblewoman. The film inaugurated a series of hothouse melodramas that came to be known as Gainsborough Gothic and had film fans queuing outside cinemas all over Britain. After becoming a dance pupil at the Italia Conti school. Much more popular than either of these was another melodrama with Arliss and Granger, Love Story (1944), where she played a terminally ill pianist. The sexual privation suffered by women whose men were fighting overseas contributed to Lockwood and Mason, the fiery adulterous lovers of the 1943 Gainsborough gothic classicThe Man in Grey, replacingGracie FieldsandGeorge Formbyas the countrys top box office stars that year. If so, please share it with your friends and family to help spread the word. She had one last film role, as the stepmother with the sobriquet, "wicked", omitted but implied, in Bryan Forbes's Cinderella musical, "The Slipper and the Rose" in 1976. This was the inspiration for the three-season (39 episodes) Yorkshire Television series Justice, which aired from 1971 to 1974. 17th-century beauty Barbara Worth starts her career of crime by stealing her best friend's bridegroom. Lorem ipsum dolor sit amet. Ive never been able to figure out what would i write about myself. In 1965, she co-starred with her daughter, Julia, in a popular television series, The Flying Swan, and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wildes An Ideal Husband. "[48], Lockwood returned to the stage in Spider's Web (1954) by Agatha Christie, expressly written for her. Her final stage appearance, as Queen Alexandra in Motherdear, ran for only six weeks at the Ambassadors Theatre in 1980. Margaret Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. The sadomasochistic elements ofLeslie Arlisss film in which Lockwoods character is sexually commandeered and eventually raped by Masons lord were 50 shades stronger than 2015s most ballyhooed eroticdrama. As if that weren't cringe-worthy and problematic enough, the use of makeup was reserved for "prostitutes and actresses.". Her last professional appearance was as Queen Alexandra in Royce Ryton's stage play Motherdear (Ambassadors Theatre, 1980). She was known for her stunning looks, artistry and versatility. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. Lady barrister Harriet Peterson tackles cases in London. Guaranteed competitive hourly wage average wage is $16-$18 an hour, plus an incentive commission and tips! In the 1930s, she appeared in a variety of stage plays and made her name. Lockwood later admitted "I was far from being reconciled to my role of the unpleasant girl and everyone treated me warily. Your email address will not be published. This was her first opportunity to shine, and she gave an intelligent, convincing performance as the inquisitive girl who suspects a conspiracy when an elderly lady (May Whitty) seemingly disappears into thin air during a train journey. "Her mole is not part of any formal perfection, but it is also not an ornament," Greenblatt explained. Hear, hear! Margaret Lockwood was appointed a Commander of the Order of the British Empire (CBE)[52] in the 1981 New Year Honours. Job in Fullerton - Orange County - CA California - USA , 92835. MARGARET LOCKWOOD Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. In an interview withRedbook, Ranella Hirsch, a dermatologist and senior medical advisor to Vichy Laboratoires, further warned,"New things on your skin tend to be bad." Contents 1 Plot 2 Cast 3 Production 4 Reception [20], She was meant to be reunited with Reed and Redgrave in The Girl in the News (1940) but Redgrave dropped out and was replaced by Barry K. Barnes: Black produced and Sidney Gilliat wrote the script. For Black and director Robert Stevenson she supported Will Fyffe in Owd Bob (1938), opposite John Loder. While a real mole's shape is fixed, a mouche could be designed in a variety of styles. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. Her other small-screen roles included the bargees daughter Julia Dean in the sitcom Dont Tell Father (1959), Martha Barlow in the suspense serial The Six Proud Walkers (1962), the marriage-breaking secretary Anthea Keane in the magazine soap Compact during 1963, and Samantha in the TV sitcom version of Birds on the Wing (1971), alongside Richard Briers, with whom she starred in the radio comedy Brothers in Law (1971-72). She complained to the head of her studio, J. Arthur Rank, that she was "sick of sinning", but paradoxically, as her roles grew nicer, her popularity declined. And why do people love them or hate them? Required fields are marked *. She was born on September 15, 1916. A visit to Hollywood to appear with Shirley Temple in Susannah of the Mounties and with Douglas Fairbanks, Jnr, in Rulers of the Sea was not at all to her liking. Margaret Lockwood moved to Dolphin Square, Pimlico, London in 1937. Madeleine Marshtold BBC that it wasn't untilHollywood came to be that moles transformed from something to be abhorred to something to be admired. I like having familiar faces that recognize me. InLove Story(1944), a florid romance about the need for self-sacrifice during wartime, Lockwood plays Lissa, a concert pianist who cannot become a Women Air Force Service pilot because she has a weak heart. Updates? However, after being given an initial leg-up by her mother famous for the trademark beauty spot painted high on her left cheek the young Lockwood forged her own career, navigating the difficult transition from child to adult actor. As stated earlier, Monroe's trademark mole may not have been real. Let us know if you have suggestions to improve this article (requires login). One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). Lockwood, born to a Scottish woman and her English railway clerk husband in Karachi on 15 September, was the most glamorous and dynamic of the female stars. Shakespearean expert and literary historian Stephen Greenblatt lectured students at the University of Science and Arts of Oklahoma on "Shakespearean Beauty Marks." She was made Commander of the Order of the British Empire in 1980. Ifyou just so happen to wake up one morning and find a brand new beauty mark staring back at you in the mirror, take note. InBernard KnowlessThe White Unicorn(1947), she andJoan Greenwoodwere cast as women of different social backgrounds a warden at a home for delinquent girls and a troubled teenage mother whose reminiscences reveal that female suffering isendemic. She was survived by her daughter, the actress Julia Lockwood. clerk, was educated in London and studied to be an actress at the Later, aged 16 and playing Wendy, she joined her mother in the 1957 Christmas production. Lockwood then had her best chance to-date, being given the lead in Bank Holiday, directed by Carol Reed and produced by Black. Instead, she calls it her"forever moving mole" and sometimes draws it on to cover a blemish. That year, she was created CBE, but her presence at her investiture at Buckingham Palace, accompanied by her three grandchildren, was her last public appearance. Lockwood entered films in 1934, and in 1935 she appeared in the film version of Lorna Doone. In contrast, even natural moles were looked at as "a mark of disgrace," Madeleine Marsh, author of The Compacts and Cosmetics: Beauty from Victorian Times to the Present Day, explained toBBC. In 1933, she enrolled at the Royal Academy of Dramatic Art, where she was seen in Leontine Sagans production of Hannele by a leading London agent, Herbert de Leon, who at once signed her as a client and arranged a screen test which impressed the director, Basil Dean, into giving her the second lead in his film, Lorna Doone when Dorothy Hyson fell ill. Privacy Policy. [26] In 1946, Lockwood gained the Daily Mail National Film Awards First Prize for most popular British film actress. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. [45] Lockwood said Wilcox and his wife Anna Neagle promised from signing the contract "I was never allowed to forget that I was a really bright and dazzling star on their horizon. Anentire faux mole industry was born and a street in Venice, Calle de le Moschete, was named in its honor. Margaret Lockwood lived at 18a Highland Rd, London. Allied to this is the fact that she photographs more than normally easily, and has an extraordinary insight in getting the feel of her lines, to live within them, so to speak, as long as the duration of the picture lasts. A Margaret Lockwood performance was apparently the inspiration for Sean Pertwee's death scene in the 2002 film Dog Soldiers. However, her best-remembered performances came in two classic Gainsborough period dramas. "I would get teased by the other kids in school, so I definitely wanted to get it removed," the supermodel told Vogue. The excitement of walking on in Noel Cowards mammoth spectacular, Cavalcade, at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. ), British actress noted for her versatility and craftsmanship, who became Britains most popular leading lady in the late 1940s. A report published by theJournal of the American Academy of Dermatology(via NCBI) highlighted the "disfiguring scars" left in the disease's wake. "Hollywood revolutionised women's faces," Marsh explained, "Suddenly you were seeing these HUGE women's faces, bigger than we had ever seen them before." The first of these was Hungry Hill (1947), an expensive adaptation of the novel by Daphne du Maurier which was not the expected success at the box office. These days, Rowland doesn't like to leave home without her trusty appliqud beauty mark. She had a bit part in the Drury Lane production of "Cavalcade" in 1932, before completing her training at the Royal Academy of Dramatic Art.Her film career began in 1934 with Lorna Doone (1934) and she was already a seasoned performer when Alfred Hitchcock cast her in his thriller, The Lady Vanishes (1938), opposite relative newcomer Michael Redgrave. Lee dropped out and was replaced by Lockwood. Popular British leading lady of the late 1930s who became England's biggest female star of the WWII era. Lockwood studied at the Royal Academy of Dramatic Art, Englands leading drama school, and made her film debut in Lorna Doone (1935). In 1933, she enrolled at the Royal Academy of Dramatic Art, where she was seen in Leontine Sagan's production of "Hannele" by a leading London agent, Herbert de Leon, who at once signed her as a client and arranged a screen test which impressed the director, Basil Dean, into giving her the second lead in his film, "Lorna Doone" when Dorothy Hyson fell ill. Julia Lockwood (Margaret Julia Leon), actor, born 23 August 1941; died 24 March 2019, Screen and stage actor who was a regular in West End productions in the 1960s, Philip French's screen legends: Margaret Lockwood, Original reporting and incisive analysis, direct from the Guardian every morning. The film's worldwide success put Lockwood at the top of Britain's cinema polls for the next five years. [34] then went off suspension when she made a comedy for Corfield and Huth, Look Before You Love (1948). "[14], She was offered the role of Bianca in The Magic Bow but disliked the part and turned it down. A year later she married Rupert Leon, a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. She also performed in a pantomime of Cinderella for the Royal Film performance with Jean Simmons; Lockwood called this "the jolliest show in which I have ever taken part. Gasp! [40][41] It was not popular. The property has now been converted to flats. Much of Shakespeare's work features "figures who are, in the perception of age, 'stained,' and yet whose stain is part of their irresistible, disturbing appeal," according to Greenblatt. [43], Eventually her contract with Rank ended and she played Eliza Doolittle in George Bernard Shaw's Pygmalion at the Edinburgh Festival of 1951. These films have not worn particularly well, but. She appeared in two comedies for Black: Dear Octopus (1943) with Michael Wilding from a play by Dodie Smith, which Lockwood felt was a backward step[25] and Give Us the Moon (1944), with Vic Oliver directed by Val Guest. Kate Upton and Blake Lively have certainly helped the spot stay en vogue today. In 1933, Lockwood enrolled at the Royal Academy of Dramatic Art in London, where she was seen by a talent scout and signed to a contract. She returned to Britain to live in Somerset in 2007. Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as "Toots", who was also to become a successful actress. It became her trade mark and the impudent ornament of her most outragous film "The Wicked Lady", again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. The last flickers of virginal sweetness in Lockwoods persona were extinguished by her portrayals of Hesther and Barbara Worth in morally ambivalent films based on novels bywomen. I think they're the cutest thing. Organize, control, distribute and measure all of your digital content. Photograph: Cine Text/Allstar Sat 29 Nov 2008 19.01 EST No 37 Margaret Lockwood, 1916-90 She was born in India, a daughter of the Raj, brought up in England by a cold,. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. Margaret scored another hit with Bedelia (1946), as a demented serial poisoner, and then played a Gypsy girl accused of murder in the Technicolor romp Jassy (1947).As her popularity waned in the 1950s she returned to occasional performances on the West End stage and appeared on television, making her greatest impact as a dedicated barrister in the ITV series Justice (1971), which ran from 1971 to 1974. This was even more daring in its depiction of immorality, and the controversy surrounding the film did no harm at the box office. The immense popularity of womens melodramas produced byGainsborough Picturesmade Lime Grove Studios (which became the companys wartime berth after production at Islington Studios was suspended) stardoms epicentre: it was the workplace ofPhyllis Calvert,Stewart Granger,Jean Kent,Margaret Lockwood,James Mason,Michael RennieandPatriciaRoc. With smallpox being all but eradicated by the 19th century, the demand for mouches would eventually become nonexistent. 2023 Getty Images. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. [35], That same year, Lockwood was announced to play Becky Sharp in a film adaptation of Vanity Fair but it was not made. Margaret Lockwood was born (as Margaret Mary Lockwood Day) in Karachi, Pakistan on 15th September, 1916. She is commemorated with a blue plaque at her childhood home, 14 Highland Road in Upper Norwood. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. She likes what she likes, okay? Margaret Lockwood moved out of 30 Highland Rd, London in 1937. What Austin, Texas looked like in the 1970s Through These Fascinating Photos, Rare Historical Photos Of old Mobile, Alabama From Early 20th Century, What El Paso, Texas, looked like at the Turn of the 20th Century, Fascinating Historical Photos of Portland from the 1900s, Stunning Historical Photos Of Old Memphis From 20th Century. While much of the world in Shakespeare's time was focused on "spotless beauty," the poet and playwright found imperfection to be rather stunning. Her final stage appearance, as Queen Alexandra in "Motherdear", ran for only six weeks at the Ambassadors' Theatre in 1980. Getty Images. Farid Haddad, managing director of BMA Models, told BBC, "Men and women are both expected to be 'flawless' in the fashion world. The title of The Lady Vanishes is thought to refer to the kidnapped British spy Miss Froy (May Whitty), but it is the prim lady in Lockwoods Iris Henderson that vanishes under the influence ofMichael Redgraves charming musicologist with his battery of phallic symbols. She had the lead in Someday (1935), a quota quickie directed by Michael Powell and in Jury's Evidence (1936), directed by Ralph Ince. From her mid-20s Lockwood was seen on the West End stage in Arsenic and Old Lace (Vaudeville theatre, 1966), The Servant of Two Masters (Queens theatre, 1968), Charlie Girl (Adelphi theatre, 1969), Birds on the Wing (Piccadilly theatre, 1969), alongside Bruce Forsyth making his debut as a straight actor, and The Jockey Club Stakes (Vaudeville theatre, 1970). If a woman were to wear the appliqud beauty mark on the left side of her face, this would mean she supported the Tory political party. 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. Directed by: Leslie Arliss. When I marry, I shall have a large family. Vascular birthmarks, on the other hand, are formed when "extra blood vessels clump together." This inspired the Yorkshire Television series Justice, which ran for three seasons (39 episodes) from 1971 to 1974, and featured her real-life partner, John Stone, as fictional boyfriend Dr Ian Moody. This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, caused her to turn her back gradually on a glittering career. While Biography stated that no one truly knows if Monroe's beauty mark was real, drawn on, or accentuated with makeup, one thing is for sure: she helped propel the look into mainstream. 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She starred in the Royalty (19571958) television series and was a regular on TV anthology shows. This naturally raises the question: Why are there two different names? Lockwood married Rupert Leon in 1937 (divorced in 1950). She starred in another series The Flying Swan (1965). Prior to leaving, she bravely performs for the plays audience her welling Cornish Rhapsody (written for the film byHubert Bathand made famous by it) while Kit is having a life-threatening operation to save his sight and because Judy is too distraught to go on.
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